Camille Bardin — March 2021
IIt was a vital impulse that drove Séverine Assouline to become an artist. In 2012, she laid the foundation stone and modeled her first body: that of a sandstone dinosaur weighing over a hundred kilograms. Through sheer determination, and despite being self-taught, Séverine Assouline acquired both technical and semantic skills. The works that followed this initial success were initially introspective, a way for her to begin a process of deconstruction, to question femininity, its masquerade, and with it, the way she herself inhabits the world.
Michaël Stora — December 2018
Human Flaws: Suspended from the taut rope of life, the fragments of life are scattered. Crammed together, the raft seems fragile. Twisted colors, headwinds, the waves of migrants wash up on the shores separating two worlds. Red and black, yellow and blue, opposites create complementary colors. Intertwined, the weaves are bonds clinging on so as not to sink into the sea that separates us.
presse
Marie Claire Maison, October 2019 - Jeu de cubes. L'appartement rationnel d'Ester Bruzkus est devenu une bonbonnière minimaliste, p 154.
francetvinfo , August 2019 - Sculpture en l'Ile
Juedische allgemeine, December 2018 - Bilder für den guten Zweck
monacochannel, September 2017- Dématérialisation
damepipi.TV, February 2017 - Your body as a torchlight
Toutelaculture, Januaryr 2017 - L'exposition collective de chair et de matières
ARTiculAction Art Review, July 2016 - Summer Issue
PARISARTISTES#, October 2014 - Paradoxes humains et sculpture sous toutes ses formes
Artension, June 2014 - Ras le bol vital
Orange TV, February 2014 - Quelques questions à Séverine Assouline



