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Camille Bardin — March 2021

 

IIt was a vital impulse that drove Séverine Assouline to become an artist. In 2012, she laid the foundation stone and modeled her first body: that of a sandstone dinosaur weighing over a hundred kilograms. Through sheer determination, and despite being self-taught, Séverine Assouline acquired both technical and semantic skills. The works that followed this initial success were initially introspective, a way for her to begin a process of deconstruction, to question femininity, its masquerade, and with it, the way she herself inhabits the world.

Michaël Stora — December 2018
 

Human Flaws: Suspended from the taut rope of life, the fragments of life are scattered. Crammed together, the raft seems fragile. Twisted colors, headwinds, the waves of migrants wash up on the shores separating two worlds. Red and black, yellow and blue, opposites create complementary colors. Intertwined, the weaves are bonds clinging on so as not to sink into the sea that separates us.

presse

Marie Claire Maison, October 2019 - Jeu de cubes. L'appartement rationnel d'Ester Bruzkus est devenu une bonbonnière minimaliste, p 154.

francetvinfo , August 2019 - Sculpture en l'Ile

Juedische allgemeine​, December 2018 - Bilder für den guten Zweck

 

monacochannel, September 2017- Dématérialisation

 

damepipi.TV, February 2017 - Your body as a torchlight

 

Toutelaculture, Januaryr 2017 - L'exposition collective de chair et de matières

 

ARTiculAction Art Review, July 2016 - Summer Issue

 

PARISARTISTES#, October 2014 - Paradoxes humains et sculpture sous toutes ses formes

 

Artension, June 2014 - Ras le bol vital

 

Orange TV, February 2014 - Quelques questions à Séverine Assouline

 

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